Principles of Correct Practice for Guitar

The Guitar Principles Experience
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The Principles of Correct Practice For Guitar

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Learn more - opens in new window or tab. Seller information worldofbooksusa Contact seller. Visit store. See other items More See all. Item Information Condition:. It takes really slow practice and incredible concentration. This book was recommended to the beginner and the troubled experienced player. I would have been so more aware of what I was doing. Now when practicing it is incredibly intense, before GP guitar principles I was lucky enough to be told to practice slow and keep your fingers low to the strings.

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I focused on that and it got me so far but through GP I have discovered there is so much more to be aware of. Now my practicing is a lot more powerful and beneficial.

So I would recommend this book to everyone except the person who does not want to play any better than how they can already play. While going through this book, it will seem at times you are going back to being a beginner and this can be frustrating to the point of seeming pointless.

But once you understand the things presented in the book you understand why you need to do it and practicing becomes less of a chore. Besides, the results you see after some time has gone by are quite pleasing.

Note though that this book alone will not teach you everything and even in the preface Jamie recommends that you go and find a teacher. But the book is not alone, there is also a message board on the Guitar Principles site where players and teachers alike are using the principles and asking questions.

There also numerous essays by the author and a good quality newsletter. You can learn the secrets of all the great players, learn their scales, licks and techniques, and see them demonstrated. The problem for many students comes when they try to do it themselves!


So often, I get students who are struggling to actually play the wonderful music they find in the lessons they study. Whether it is rock, blues or fingerstyle, technique is what comes between so many guitar players and the music they want to make. That is why the focus of my teaching is not to teach people what to play, but rather, how to play whatever they want to play, and how to play it at the professional level.

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The Principles Of Correct Practice For Guitar solves the biggest problem guitar students have they are not getting better because they don't know what to do. How To Practice Guitar For Maximum Results: Using "The Principles of Correct Practice For Guitar". When you know how to practice guitar correctly, you will get .

To do this, it is necessary to understand what guitar playing is all about, on a very fundamental level, and a very physical level. All good players have this understanding, consciously or intuitively, and the way they relate to playing and practicing is based on this understanding. Once we understand these fundamentals, we are able to travel this path to effortless playing ourselves. We become able to train our fingers to play whatever they wish. Then, all the wonderful lessons available become so much more useful and satisfying.

Jamie Andreas - The Principles of Correct Practice for Guitar download

This lesson is derived from both these works. I am going to give you a roadmap to effortless playing on guitar. Effortless playing is a step by step process of development. Like any path, if the first step is in the wrong direction, you will never reach the goal. Unfortunately, for many players, the first step was in the wrong direction!

The first step in effortless playing is the development of the musculature of the hands and arms in the very particular way required for playing guitar. This does not mean they always play with curvature, but they must be able to curl fully when needed. A great many players do not achieve these things in their first years as players, and because of this, playing is a struggle.

I almost always see fingers flying all over the place, and diminishing volume and missed notes on the right hand as the speed goes up, due to static tension in the arm and shoulder that is unfelt by the player. Invariably, I will see the 2 great diseases of the left hand: finger squeeze and finger rise. As one finger plays, the finger next to it will squeeze tightly against the playing finger, or rise into the air.

Trying to play smoothly while this is happening is like running a race with a bad knee.

It is instructive to observe that all good players have the ability to play fast and loud when desired, all improperly developed players are not able to play fast and loud, because body tension rises to such a high level that contact with pick or fingers becomes difficult and then impossible, so notes get softer, and then disappear.

If you are a player who wishes to play with the ease of a professional, you must first make sure that your fingers have achieved the things listed above. The second step toward effortless playing must develop alongside the first, right from the beginning, and that is the ability to use fingers and pick with a high degree of relaxation at all times.

You have probably heard this many times. All the great players are very relaxed when they play. Yeah, if they could do that, they probably would! This means that relaxation is the releasing of the tension created by the necessary effort of muscle contraction that creates movement and brings force to the strings.